Atlas Mercury 1.5x FF Anamorphic PL Lenses

$600.00

Designed by cinematographers for professional videographers, this series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series. The ARRI PL-mount Mercury series includes 36, 42, and 72mm primes plus 54 and 95mm and 138mm telephoto focal length still in the pipeline.

These lens create 1.5x the horizontal field with the same vertical field of view as a similar spherical lens. They offer a vintage anamorphic look with golden flares, pleasant barrel distortion, and almost no chromatic aberration.

Each Mercury lens provides the oval bokeh, pleasant barrel distortion, and shallow depth of field of the Atlas Orion 2x anamorphic primes but in a housing that is about half the size and weight of most pro anamorphic primes. The more compact size reduces fatigue and enables you to get closer to the action.

The Mercury lenses feature cine-standard 0.8 MOD gearing, a 95mm front diameter, and focus marks in feet. The standardized 95mm front diameter is compatible with many filters and matte boxes.

Focal Lengths: 36mm, 42mm, 54mm, 72mm, 95mm, 138mm
T-Stop Range: T2.2-T22
PL Mount, Super 35, Full Frame Coverage

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Designed by cinematographers for professional videographers, this series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series. The ARRI PL-mount Mercury series includes 36, 42, and 72mm primes plus 54 and 95mm and 138mm telephoto focal length still in the pipeline.

These lens create 1.5x the horizontal field with the same vertical field of view as a similar spherical lens. They offer a vintage anamorphic look with golden flares, pleasant barrel distortion, and almost no chromatic aberration.

Each Mercury lens provides the oval bokeh, pleasant barrel distortion, and shallow depth of field of the Atlas Orion 2x anamorphic primes but in a housing that is about half the size and weight of most pro anamorphic primes. The more compact size reduces fatigue and enables you to get closer to the action.

The Mercury lenses feature cine-standard 0.8 MOD gearing, a 95mm front diameter, and focus marks in feet. The standardized 95mm front diameter is compatible with many filters and matte boxes.

Focal Lengths: 36mm, 42mm, 54mm, 72mm, 95mm, 138mm
T-Stop Range: T2.2-T22
PL Mount, Super 35, Full Frame Coverage

Designed by cinematographers for professional videographers, this series offers native full-frame coverage, enhanced bokeh, near-zero chromatic aberration, and a buttery vintage look that is warmer than that of the Orion series. The ARRI PL-mount Mercury series includes 36, 42, and 72mm primes plus 54 and 95mm and 138mm telephoto focal length still in the pipeline.

These lens create 1.5x the horizontal field with the same vertical field of view as a similar spherical lens. They offer a vintage anamorphic look with golden flares, pleasant barrel distortion, and almost no chromatic aberration.

Each Mercury lens provides the oval bokeh, pleasant barrel distortion, and shallow depth of field of the Atlas Orion 2x anamorphic primes but in a housing that is about half the size and weight of most pro anamorphic primes. The more compact size reduces fatigue and enables you to get closer to the action.

The Mercury lenses feature cine-standard 0.8 MOD gearing, a 95mm front diameter, and focus marks in feet. The standardized 95mm front diameter is compatible with many filters and matte boxes.

Focal Lengths: 36mm, 42mm, 54mm, 72mm, 95mm, 138mm
T-Stop Range: T2.2-T22
PL Mount, Super 35, Full Frame Coverage


Focal Length Aperture Close Focus Front Diameter Weight (lbs) Length Image Circle
36mm T2.2 18" 95mm 2.7 5" ⌀47.7mm
42mm T2.2 21.6" 95mm 2.4 4.4" ⌀46.2mm
54mm T2.2 2'6" 95mm 2.9 5" ⌀44.71mm
72mm T2.2 3' 95mm 3.6 6.4" ⌀48.0mm
95mm T2.2 3' 95mm 4.4 6.9" ⌀44.71mm
138mm T2.6 3.9' 95mm 4.6 8.1" ⌀44.71mm

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